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If you've read me for a while you'd see my tastes run to sci-fi, effects, war, epics, and so on...and of course loads of anime. As for foods for noshing while viewing, it varies.

PS: And then I realize that I'm wearing one of my Kellogg's Pop Tarts t-shirts...
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Today I bought the first DVD of the remastered 1960s Japanese sci-fi/horror/superhero TV series ULTRAMAN, which I first encountered around 1978 when I was living in Pittsburgh and watching just about anything that the independent stations showed. Like SPEED RACER, this show is exactly as old as I am...and shares the same English-language dubbing cast, which is probably why I was won over so quickly.

Well, that and the Tsubaraya special effects.

I'm watching this disk in bits & pieces, as this series only had bookended continuity...the only "high" plotline is explained in the very first and very last stories. This means that the majority of the stories are self-contained and can be watched in random order. I'm also watching with the sound off to start; I may go back and rewatch to check out the differences in the soundtracks.

Where to begin...?

Yes, there are embarrassing ways in which this program shows its age--but not too many. Japan was living the future in the early and middle 1960s (and for a good while afterwards); they had good reason to be proud of their technology and to show it off. You can forgive the reel-to-reel magnetic tape and little telescoping antennae everywhere...who knew what was to come? But at the same time you had a dichotomy of both high-future concepts (exploitation of the planets of the Solar System!) versus an all-too-cynical eye on how the real world works (smuggling, pollution, superpower nations with casual regard on the use of atomic weapons, etc.).

There are two kinds of monster on the loose in ULTRAMAN: those spawned by mankind's reckless treatment of the natural world, and those dumped on Earth by space beings who see mankind as a threat and want to beat the human race into submission. It's the job of the Science Patrol--and soon, the big man in silver and red--to fight back and restore peace and order. This formula begat a whole genre unto itself, tokusatsu, which endures still.
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This MAY Look More Familiar )

Taiheiyo No Arashi ("Storm Over The Pacific"), known to American audiences of the era as I Bombed Pearl Harbor. (In fact, when that big-budget stinker Pearl Harbor came along some years ago, I'd have bet some enterprising individual would have taken this movie and redubbed it to DVD. Guess they didn't think of it!) Parts of it were incorporated in Tora! Tora! Tora! and Midway and other American productions.

Why I care: in some ways the American war movies of the Fifties, Sixties and Seventies are a part of my own experience growing up. And how could any kid avoid them back then? Many of the kids of my generation were children of military veterans--if not from the War itself, from their younger siblings, nephews and nieces. The echoes of WW2 lingered through the American culture for a very long time. It involved a far greater portion of the nation than any event since in our history. After a period of silent healing in the Forties, the culture here had to tell the stories from that time, and it kept Hollywood busy all the way through the next two decades.

Now, Japan of course had it even worse than America. Leaving aside the physical effects, and the political ones, WW2 meant a different cultural effect on a different culture. If the American soldiers who fought WW2 were our Greatest Generation, the Japanese soldiers of the same War were their nation's Lost Generation. They were defeated and killed in huge numbers; they fought ambitious battles they knew they couldn't win; everything they had was taken from them. It was through their examination of their experiences through film that eventually led to the anime that attracted me in the Seventies and Eighties.

Of course, it helped that the profits from all those successful Kurosawa dramas and Godzilla stompfests could be rolled back into producing these epics. Yes, I know the planes are almost all models and mockups. The ships are either sets on dry land or models in a studio water tank. Doesn't detract from the level of artistry or technique or effectiveness. I can't help but admire it.

It's a shame that none of these are available on DVD in the West. Some of these are available streaming or as torrents over the web, but I want to see these on my big flatscreen and I don't have bandwidth for this kind of thing yet. More to come.

FP
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Toho War Movie Trailer #1 )

Toho War Movie Trailer #2 )

At Least The Jets Are American, If Not The Air Force )

Explanations: Toho Movie #1 is Taiheiyo no Tsubasa/Wings of the Pacific, also known as Attack Squadron and marketed on home video as Kamikaze, which is a misnomer. It's the true story of a Japanese squadron whose commander refused to allow himself or his pilots to be used in suicide missions. One of the actual planes of this same squadron survived the War and is in the collection of the National Museum of Naval Aviation in Pensacola, FL.

Toho Movie #2 is Ozora No Samurai/Samurai of the Blue Sky about the pilot Saburo Sakai, who became an ace against the Allies during the Guadalcanal campaign but then was wounded in the eye and forced to make an epic flight back to base alone and in horrible pain. While the fight that caused his wound isn't faithfully depicted here, it was the subject of an episode of PBS' Secrets of the Dead last year.

Rounding out the triptych is a video tribute to the F-5E Tiger II in the service of the Taiwanese (Republic of China) Air Force.
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The Americanized Godzilla was just on whatever that network is, the one that also carries the WWE Wrestling and that. Anyway, I was so underengaged that when the Navy was bombing Madison Square Garden, I was thinking can they even DO that with Harpoon missiles? Are those FAE warheads?

And in the finale when Godzi was trapped in the cables and the F-18s were shooting it was those must be Slammer rockets because if he's cold-blooded then there wouldn't be anything for Sidewinders to lock onto. How much heat would you need to target a Sidewinder, anyway?

I'm too old and too much into reality to just enjoy the scene, you know what I mean?
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That holographic design gizmo demonstrated in the Iron Man movie, when Tony Stark starts building the Mark II suit.

But more realistically, I'd settle for a nice e-book reader (~letter size screen!) with a bar code scanner, so when I go shopping I can (for example) see if a product is worth buying or not.
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Iron Eagle count? Tho' I wish they had written the sequels in such a way that Jason Gedrick's character, Doug "Thumper" Masters, could have returned.
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Got the 1982-vintage Clint Eastwood movie on DVD from the Big Lots bargain bin this evening. Just saw the end of the third act. The effects...have not aged well. The photographic grain is overmuch, the perspectives on the miniatures are unconvincing and they could have been smarter with the interfacing of the elements. But then again, it WAS 1982. A revolution has happened in the years since.

For the record, the Firefox story (if not all of Craig Thomas' pre-1984 technothriller novels!) is CANON for the Hackett Continuum.
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Raw Uncut Messerschmitt )

Special Effects rushes, perhaps for Reach For the Sky, a well-regarded war biopic from just after WW2.
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The last couple days I've been helping my buddy Paul go through the archives of a former Hollywood "prosthetics and animatronics" house (better known as a "creature shop") for his former boss--a master at the art, a modern-day Dr. Frankenstein who made monsters for his living. So far I've counted over 60,000 photos from various productions, including half a dozen Stephen King movies, the live-action Cat In The Hat, the re-imagined The Outer Limits, Charmed, Species, Blade, Red Planet, Big Fish, Eaters of the Dead, TV commercials, music videos, and even projects that never saw production or release.

What's weird is that a lot of this stuff, I never saw on film or on screen. As said, I'm not a horror fan. Or that much into fantastic cinema.

All of this stuff was made in the decade and a half since the printing of my latest Leonard Maltin film guide. I guess I need to get "read up" all over again.

FP
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Paul said he didn't have a copy of Mighty Joe Young in his DVD collection, and I found a copy at Big Lots, so I bought it for him and we watched it this afternoon.

Yes, I'm talking about the 1949 Harryhausen movie.

And this is definitely a classic. It's not just the special effects--it's the choreography between the effects and the live-action around them. I'm sure that modern filmmakers still have lessons to learn from watching this and other Harryhausen movies.
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I don't have one. I'm just not a horror guy. Sure, I love Japanese monster movies for the special effects. And I'm into Pirates of the Caribbean and Harry Potter and crossover fantasy/horror stuff like that. But you'll never find slasher stuff in my DVD collection.

Yes, the fact that I'm not into horror surprises a great many, I'm sure. Seeing as I...
1) Share a common ancestry with one of the greatest horror writers of the 19th Century [Ambrose Bierce]
2) Am connected to Steven King via my siblings' association with an actor from at least one of his movies
3) Am connected to Jeff Strand through my mother's career
4) Lived in places where classic horror movies were made (Western Pennsylvania, see "Night of the Living Dead"; Hernando County, Florida, see "Dead of Night"; the Smokey Mountains, see "Evil Dead" and "Army of Darkness")
5) Have all sorts of friends who are into horror themselves.

I guess I'm just as ambivalent to dark occultism as I am to religion in general.

And having seen a real ghost just takes the fun out of contrived spookiness.
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Airwolf Versus Blue Thunder )

FWIW, I would not have chosen sides so readily. The Blue Thunder movie was cool but not a financial success till it came out on home video. The Blue Thunder TV series had a worse lead than the movie or Airwolf but had an okay ensemble...and about the same special effects budget. Just saw a third-season episode of Airwolf on the local RTN affiliate...they make up for the horrible writing and acting with pyrotechnics. Bleh.

FP
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Tonight I've been celebrating my re-connectivity by downloading YouTuberies while, in another room, binge-watching Torchwood via my brother's loaner DVDs. Seen three stories so far. I guess I'd sooner call it technoid-horror than sci-fi. Or perhaps fusion social SF/horror?

Captain Jack reminds me of the character Jon-Erik Hexum played on (*cheats by looking on IMDB.com*) Voyagers! (*realizes that most of the readers of this LJ probably never SAW Voyagers!) Of course Jack is much much smarter than Bogg. But a lot of the same traits are there.

(*multiple sighs of resignation*) Now I really feel old.

Torchwood wins for its fabulous visual storytelling, its effects, its direction and its "reality". I'm not sure I'm into all the characters yet, tho'.

* * *

And Another Video For the Weekend )
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Funny thing was I hadn't seen that particular video for that song before. The only one I ever saw was the tie-in to the movie Iron Eagle, and that was the version I thought I had posted. If I find the other one, I may post it anyway. They were kind of clever about using the song in the actual movie.

Background: When word got out in Hollywood that Top Gun was in the works, the Israeli producers Golan & Globus got Iron Eagle together as a relative quickie...and it beat Top Gun to theaters by a few months! I guess I like them both the same. They both have neat soundtracks. They both have cheesy special effects. I give Top Gun the edge on casting because Lou Gossett jr. pretty much carries Iron Eagle himself, in a role that is basically an off-shoot of his Officer And A Gentleman hard-ass authority figure/mentor character.

How 'One Vision' Was Used--SPOILERS )

Iron Eagle, the first one, was a satisfactory fusion of a standard rock-n-roll teenager movie (of which there was no lack in the Eighties) and combat action movie. The first sequel is a test case on everything you should NOT do in sequels, even though the action scenes ALMOST redeem it. Aces: Iron Eagle III is a FARCE. I haven't seen Iron Eagle IV, but I'm surprised it got made and released at all.

FP (who thinks it's about time the F-22 got its own movie, as opposed to being an object for Marvel superheroes to latch onto in flight)

PS: Look What I Found...Sorry for the video quality )
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1) The Trailers: Harry Potter 5, National Treasure 2, Transformers, Underdog, and Ratatouille. Underdog was the biggest surprise...a somewhat interesting departure from the original premise of the concept.

2) The effects. I'm sure audiences are getting used to all the CGI stuff, but I come from the generation in which it used to be if you wanted to sink a ship on screen you pretty much had to sink one--or at least a miniature of one. Nowadays, you don't need models, sets, or even actual film cameras. Someday you won't need actors, because the computers will be able to generate convincing voices on their own.

What Hollywood needs is good ideas. How many movies have appeared in the theaters lately that were just plain dumb? Too many, IMHO.

3) The start of the movie gave my brother bad memories of our attempt to see Indiana Jones and the Temple of Doom back when it was in theaters. (It was also a Memorial Day movie. Because until the late '80s, the Indy 500 was tape-delayed rather than live, it was better to spend that Sunday afternoon in a movie theater avoiding the sports news than it was to have the winner spoiled for you. Thus we made a habit of Mem.Day movies.) You see, just as the fight was starting in the Shanghai nightclub--first reel of the movie!--the power cut out and we were forced to take a raincheck. Poor Dana didn't get to see it again till either it was on home video or on TV. So he was afraid that as the Singapore sequence was getting going, the same thing was about to happen.

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Stephen R Bierce

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